Performing arts

Abstract The Christina Giannini Collection of Design Drawings consists of design drawings and paintings, primarily costume designs for dance and theatrical stage productions, and also including stage design drawings. Also included in the collection are design notes, stage design scale drwaings, photographs, production posters and programs, and correspondence and paperwork regarding design projects. In addition, the collection includes resumes, portfolios, and awards, as well as material related to...

Abstract

This collection is comprised of materials produced by the Civic Music Association of Winston-Salem from 1970-1975, particularly during their 1971-1972 and 1972-1973 series, as well as the association’s dissolution in 1975. The collection contains correspondence with artists, booking agencies, and members of the board of directors; information about touring artists; the association’s founding documents; financial reports; notes and meeting minutes.

Abstract This collection is comprised of material about and collected by Dr. Benjamin F. Ward. The material documents Ward's piano performances, as well as his academic positions and faculty service, particularly at Duke University. The collection primarily includes correspondence, performance and event programs, newspaper clippings and articles, and ephemera related to Ward's career and volunteer activities. Also included are a number of published books and piano scores collected by Ward; of...

Scope and Contents

This collection is comprised of papers created by Dr. James Hustead Semans and Mrs. Mary Duke Biddle Trent Semans during their involvement with the North Carolina School of the Arts’ Board of Trustees and International Music Program. The papers contain speeches, presentation scripts, and correspondence from the Semans as well as meeting minutes and reports from the Board of Trustees regarding the organization and operations of the school.

Abstract

This collection is comprised of photographs, ephemera, published materials, and newspaper articles dedicated to the career and legacy of Edward “Eddie” Stierle. Materials document his competition wins, enrollment as a high school student at the North Carolina School of the Arts, career with the Joffrey Ballet, and his death from AIDS complications in 1991. Memorial items and other material collected after his death are also included.

Abstract This collection includes materials produces by Festival Theatre Incorporated, a professional affiliate of the North Carolina School of the Arts. Particularly represented are materials related to their North Carolina Summer Festival, held from 1973-1974. The collection is largely comprised of financial information such as accounting sheets, box office and concession reports, payroll information, and budgets; advertising materials including contracts, radio and television rates, and...

Abstract

The Giorgio Ciompi Collection consists of materials related to the International Music Program in Siena, Italy, including correspondence between Ciompi and Siena officials, as well as members of the NCSA Foundation and other financial backers. In addition to correspondence, the collection includes travel and teaching schedules, music programs, brochures of tourist sites, catalogs, notes about student performers, student lists, and faculty contracts.

Abstract Howard Jones was the Director of Scenic Design and Scene Painting at North Carolina School of the Arts for over twenty years and created designs for a wide range of school and independent productions in addition to teaching courses in the School of Design and Production. Jones' scenic designs created for NCSA make up the bulk of this collection, including hand-drawn and digital drafts, finished designs, and painter's elevations. Works created for the Summer Scenes performing art series in...

Abstract The collection includes material produced and collected by Julian E. Eubank III, an NCSA Design and Production student from 1968-1972. Particularly represented are Eubank’s photographic works depicting campus and local scenes, classmates, and school productions. Also included are school publications, newspaper and magazine clippings, correspondence, academic records, class assignments and notes, set designs, programs, and other ephemera. The collection also contains some material collected...

Abstract Lawrence A. "Larry" Ropp was the first Director of Costumes at the North Carolina School of the Arts and created costumes for a range of school and local productions in addition to teaching courses in costume history, design, and construction. Ropp's costume designs make up the bulk of this collection and include designs he created as a student at Kenyon College and Carnegie-Mellon University, as an employee at NCSA, and freelance work produced after leaving the school in 1977. Photographs...

Scope and Contents

This collection is primarily composed of scores and recordings of Byers’ compositions, dating from his first composition in 1959 at age 9, through 2006. Audiovisual materials include four VHS tapes labeled Patrick Byers Residency dated February 2005, and thirty-two audio cassette tapes dated 1982-1997. The collection also includes personal correspondence, photographs, and programs.

Abstract

The collection contains newspaper and magazine clippings, press releases, brochures, programs, and correspondence related to the North Carolina Dance Theatre, a professional affiliate of the School of Dance at the North Carolina School of the Arts.

Abstract North Carolina Scenic Studios Incorporated was a professional affiliate of the North Carolina School of the Arts established in 1978. Affiliated with the School of Design and Production, Scenic Studios provided assistance with staging, design, lighting, costuming, and other areas of production to drama companies across the country and provided professional experience to faculty, students, and recent graduates. The collection includes articles of incorporation, bylaws, correspondence, and...

Abstract

The Office of the President/Chancellor Records: Dr. Robert Eugene Ward collection contains materials produced by the Office of the President during the tenure of Dr. Robert Eugene Ward, the second President of the North Carolina School of the Arts from 1967 to 1974.

Abstract The collection consists of records produced by Vittorio Giannini, the first President of the North Carolina School of the Arts. Records span Giannini’s proposal for the school in 1962 to his death in 1966, with some records related to his tenure and estate added posthumously. Reports regarding NCSA’s opening, functioning, and budget are heavily represented. Correspondence from NCSA employees, the board of trustees, prospective staff and students, and various associations for the fine arts is...

Abstract

The Photograph Collection consists of photographs of University of North Carolina School of the Arts students, faculty, staff, visitors, performances and events, as well as selected professional affiliate and local performing arts organizations. Included the collection are photographic prints, negatives, slides, and digital photographs.

Abstract The collection is made up of materials produced by the Piedmont Chamber Orchestra, a professional affiliate of the North Carolina School of the Arts, from 1969-1983. It contains correspondence with potential tour hosts and sponsors, orchestra members, the Orchestra’s Board of Directors, and the NCSA Foundation. Also included are contracts, program offerings, public relations materials, financial reports, notes and meeting minutes, and tour planning information such as mileage and lodging...

Abstract

The Poster Collection consists of posters produced by each of the University of North Carolina School of the Arts' five schools, as well as those from all-school productions, international programs, special events, campus life, the Stevens Center, and professional affiliate organizations. Posters range in size and typically include text and graphics announcing performances and events related to the school.

Abstract

The Program Collection consists of programs from University of North Carolina School of the Arts performances and events, as well as selected professional affiliate and local performing arts organizations. Included in some files are brochures and mailers.

Abstract

The Promotional Material Collection consists of brochures, flyers, fact sheets, calendars, and other ephemera promoting the University of North Carolina School of the Arts student enrollment, summer programs, performances, student services, professional affiliates, and other related events and programs.

Abstract

The Publications Collection comprises an assortment of informational and creative publications by University of North Carolina School of the Arts students, faculty, and staff. The contents are primarily directed towards members of the campus and alumni communities: student newspapers and magazines, campus and alumni newsletters and journals, faculty newsletters, residence life flyers, yearbooks, maps, and directories and manuals of students, faculty, staff, and alumni.

Abstract

The Reports Collection consists of reports and proposals generated by the University of North Carolina School of the Arts and other related entities on topics such as the founding of the school, accreditation, long-range and annual planning, campus development, curriculum, partnerships, and fundraising, among others.

Abstract

Sandra 'Sandy' Williams was a student in the North Carolina School of the Arts (NCSA) School of Dance, graduating from the high school program in 1967 and receiving her Bachelor of Fine Arts in 1970. After graduation, Williams worked for NCSA and the North Carolina Dance Theatre as Ballet Mistress. The collection includes yearbooks, programs, newspaper clippings, photographs, correspondence, and realia from her educational and professional activities.

Abstract

The School of Design and Production, Visual Arts Collection includes records, ephemera, and audiovisual materials produced since the school's inception in 1968.

Abstract The Thomas S. Kenan Institute for the Arts is a nonprofit organization established in 1993. Since its establishment, the Institute has funded a variety of local and national programs with the goal of strengthening the arts and supporting arts innovation. In the 2000s, the Institute narrowed its focus to programs directly benefitting UNCSA and its community of students, faculty, and alumni. The bulk of the collection is made up of project files from programs funded by the Institute including...