Printed ephemera

Abstract

This collection includes material created by the Associates of the University of North Carolina School of the Arts, from their inception in 1977 to 2019. Meeting agendas and minutes, member directories, newsletters and correspondence make up the bulk of this collection.

Abstract The Christina Giannini Collection of Design Drawings consists of design drawings and paintings, primarily costume designs for dance and theatrical stage productions, and also including stage design drawings. Also included in the collection are design notes, stage design scale drwaings, photographs, production posters and programs, and correspondence and paperwork regarding design projects. In addition, the collection includes resumes, portfolios, and awards, as well as material related to...

Abstract This collection is comprised of material about and collected by Dr. Benjamin F. Ward. The material documents Ward's piano performances, as well as his academic positions and faculty service, particularly at Duke University. The collection primarily includes correspondence, performance and event programs, newspaper clippings and articles, and ephemera related to Ward's career and volunteer activities. Also included are a number of published books and piano scores collected by Ward; of...

Abstract

This collection is comprised of photographs, ephemera, published materials, and newspaper articles dedicated to the career and legacy of Edward “Eddie” Stierle. Materials document his competition wins, enrollment as a high school student at the North Carolina School of the Arts, career with the Joffrey Ballet, and his death from AIDS complications in 1991. Memorial items and other material collected after his death are also included.

Abstract This collection includes materials produces by Festival Theatre Incorporated, a professional affiliate of the North Carolina School of the Arts. Particularly represented are materials related to their North Carolina Summer Festival, held from 1973-1974. The collection is largely comprised of financial information such as accounting sheets, box office and concession reports, payroll information, and budgets; advertising materials including contracts, radio and television rates, and...

Abstract

The Giorgio Ciompi Collection consists of materials related to the International Music Program in Siena, Italy, including correspondence between Ciompi and Siena officials, as well as members of the NCSA Foundation and other financial backers. In addition to correspondence, the collection includes travel and teaching schedules, music programs, brochures of tourist sites, catalogs, notes about student performers, student lists, and faculty contracts.

Abstract The collection includes material produced and collected by Julian E. Eubank III, an NCSA Design and Production student from 1968-1972. Particularly represented are Eubank’s photographic works depicting campus and local scenes, classmates, and school productions. Also included are school publications, newspaper and magazine clippings, correspondence, academic records, class assignments and notes, set designs, programs, and other ephemera. The collection also contains some material collected...

Abstract Lawrence A. "Larry" Ropp was the first Director of Costumes at the North Carolina School of the Arts and created costumes for a range of school and local productions in addition to teaching courses in costume history, design, and construction. Ropp's costume designs make up the bulk of this collection and include designs he created as a student at Kenyon College and Carnegie-Mellon University, as an employee at NCSA, and freelance work produced after leaving the school in 1977. Photographs...

Scope and Contents

This collection is primarily composed of scores and recordings of Byers’ compositions, dating from his first composition in 1959 at age 9, through 2006. Audiovisual materials include four VHS tapes labeled Patrick Byers Residency dated February 2005, and thirty-two audio cassette tapes dated 1982-1997. The collection also includes personal correspondence, photographs, and programs.

Abstract

The Poster Collection consists of posters produced by each of the University of North Carolina School of the Arts' five schools, as well as those from all-school productions, international programs, special events, campus life, the Stevens Center, and professional affiliate organizations. Posters range in size and typically include text and graphics announcing performances and events related to the school.

Abstract

The Program Collection consists of programs from University of North Carolina School of the Arts performances and events, as well as selected professional affiliate and local performing arts organizations. Included in some files are brochures and mailers.

Abstract

The Promotional Material Collection consists of brochures, flyers, fact sheets, calendars, and other ephemera promoting the University of North Carolina School of the Arts student enrollment, summer programs, performances, student services, professional affiliates, and other related events and programs.

Abstract

The Publications Collection comprises an assortment of informational and creative publications by University of North Carolina School of the Arts students, faculty, and staff. The contents are primarily directed towards members of the campus and alumni communities: student newspapers and magazines, campus and alumni newsletters and journals, faculty newsletters, residence life flyers, yearbooks, maps, and directories and manuals of students, faculty, staff, and alumni.

Abstract

Sandra 'Sandy' Williams was a student in the North Carolina School of the Arts (NCSA) School of Dance, graduating from the high school program in 1967 and receiving her Bachelor of Fine Arts in 1970. After graduation, Williams worked for NCSA and the North Carolina Dance Theatre as Ballet Mistress. The collection includes yearbooks, programs, newspaper clippings, photographs, correspondence, and realia from her educational and professional activities.

Abstract

The School of Design and Production, Visual Arts Collection includes records, ephemera, and audiovisual materials produced since the school's inception in 1968.

Abstract The Thomas S. Kenan Institute for the Arts is a nonprofit organization established in 1993. Since its establishment, the Institute has funded a variety of local and national programs with the goal of strengthening the arts and supporting arts innovation. In the 2000s, the Institute narrowed its focus to programs directly benefitting UNCSA and its community of students, faculty, and alumni. The bulk of the collection is made up of project files from programs funded by the Institute including...